Temple Grandin

Temple Grandin: How the Girl Who Loved Cows Embraced Autism and Changed the World

by Sy Montgomery
148 pages
Houghton Mifflin

Publisher's description: 

When Temple Grandin was born, her parents knew that she was different. Years later she was diagnosed with autism. While Temple’s doctor recommended a hospital, her mother believed in her. Temple went to school instead. Today, Dr. Temple Grandin is a scientist and professor of animal science at Colorado State University. Her world-changing career revolutionized the livestock industry. As an advocate for autism, Temple uses her experience as an example of the unique contributions that autistic people can make. This compelling biography complete with Temple’s personal photos takes us inside her extraordinary mind and opens the door to a broader understanding of autism.

My comments:

I've enjoyed several of Montgomery's books about animals (especially Kakapo Rescue and The Good Good Pig) so I figured she would be a perfect fit to write about Temple Grandin's passion for animal welfare. I was not disappointed. Her writing is always engaging and warm, and I was immediately sucked in to her account of Grandin's life. I was especially struck with her description of how Grandin felt, as an autistic child, to be constantly overwhelmed by sensory data.

Montgomery makes clear to readers that people with austism make up a wide spectrum, from geeky but gifted kids to people who barely talk. The boarding school that Grandin attended in New Hampshire after being expelled from high school is compared to Hogwarts. Before Harry Potter went to Hogwarts, he was confused by his strange abilities and felt out of place. Once he went to a school where he could learn to harness his abilities, he was better able to cope in the larger world.

The book design is very eye-catching, and it's full of color photographs and Grandin's own diagrams. I found the section about the dip vat she designed to be very enlightening.  Montgomery tells the story of how Grandin was hired to design a new dip vat for delousing cows that wouldn't frighten them and result in deaths like the old vats did. Her keen eye for detail and ability to think in pictures, benefits of her autism, allowed her to see exactly what about the dip vat frightened the cows. The accompanying images were very helpful in explaining how the dip vat works

There are several cool extras included,as well,inclduing a page of facts about factory farming and a section of advice for kids with autism from Temple Grandin herself. Grandin also wrote the forward, and seems to have cooperated with Montgomery throughout the book's creation, posing for pictures and allowing photographs to be taken of her home.

A thorough bibliography and index are appended.

The Pregnancy Project

The Pregnancy Project: A Memoirby Gaby Rodriguez with Jenna Glatzer
Published by Simon and Schuster
224 pages

Publisher's Description:For her required senior project, Gaby Rodriguez decided to fake a pregnancy to get an inside view of what it's like to deal with the pressures and stereotypes of being a teen mom. The inspiration for the project came from her own mother, who became pregnant with her first child in 8th grade, and her older sisters, who all had children of their own as teenagers.

It started as a school project…but turned into so much more.
Growing up, Gaby Rodriguez was often told she would end up a teen mom. After all, her mother and her older sisters had gotten pregnant as teenagers; from an outsider’s perspective, it was practically a family tradition. Gaby had ambitions that didn’t include teen motherhood. But she wondered: how would she be treated if she “lived down” to others' expectations? Would everyone ignore the years she put into being a good student and see her as just another pregnant teen statistic with no future? These questions sparked Gaby’s school project: faking her own pregnancy as a high school senior to see how her family, friends, and community would react. What she learned changed her life forever, and made international headlines in the process.

In The Pregnancy Project, Gaby details how she was able to fake her own pregnancy—hiding the truth from even her siblings and boyfriend’s parents—and reveals all that she learned from the experience. But more than that, Gaby’s story is about fighting stereotypes, and how one girl found the strength to come out from the shadow of low expectations to forge a bright future for herself.

My Comments:


Faking the pregnancy wasn't easy; she found mentors to coach her on the symptoms that accompany each stage of pregnancy, enlisted a friend as well as her boyfriend to help spread rumors and act along with her, and built a realistic fake belly with some help from her mother. In addition to dealing with negative stereotypes, she also had to face the disappointment of her older siblings and teachers, some of whom were angry when they found out she'd lied to them.

Rather than composing a simple narrative of her life during the project, Rodriguez lays out her family history, how the project itself came about, and the media frenzy that ensued when she revealed her ruse at a school assembly. Those expecting the story to focus solely on her experiences during the fake pregnancy may be disappointed, but the "whys" behind the project, as well as the results, are clearly important. Rodriguez'writing is plain, but her story is compelling.

Her story has also been made into a Lifetime original movie (as advertised on the book's cover): http://www.mylifetime.com/movies/the-pregnancy-project.

The Notorious Benedict Arnold Wins YALSA Nonfiction Award

The Notorious Benedict Arnold by Steve Sheinkin
received YALSA’s Award for Excellence in Nonfiction on January 23, 2012.

“In this illuminating biography, Sheinkin proves that spoilers don’t matter—it’s not whether or not Arnold betrayed his country, but why,” said YALSA Nonfiction Award Chair Jennifer Hubert. Although the YALSA award honors the best nonfiction book published for young adults, this is a book that adults can enjoy, as well.

Sheinkin was not able to attend the award ceremony held at the ALA Midwinter Meeting in-person, but he supplied a heartfelt video message (now on youtube) in which he thanked YALSA for recognizing his “child.”

He described Arnold as America’s first action hero. As a textbook writer, he had always been trying to insert Arnold into history books, and his editors had always insisted on deleting him. “He makes people nervous,” Sheinkin said.

This book had its genesis as a work of fiction. The longer he worked on it, the worse it got. YA nonfiction saved him, because he was able to throw all of his “pretentious nonsense” out the window and stick to a straight-forward action story. He hopes the book’s readers will learn a lot about U.S. history without even realizing it, “until it’s too late.”

Finalists Karen Blumenthal (Bootleg) and Sue Macy (Wheels of Change) were in attendance at the award ceremony held from 10:30-noon at the Omni Hotel in Dallas, TX.

Blumenthal, who lives in Dallas, thanked her favorite local librarians. She delivered a candid, funny speech about publishers' resistance to her idea to share the Prohibition experience with young people. She said that, "nonfiction provides context for a complicated world," and "Real life is many shades of messy; in real life the girl doesn't always end up with the sexy vampire."

Macy shared an entertaining powerpoint presentation that included items from the private collections of bicycle enthusiasts that she'd met while conducting research for her book. Many of the images, advertisements and sheet music that appear in her book came from these collectors, who she met simply by being in the right place at the right time. She was inspired by This Fabulous Century, a series of Time-Life books that she grew up with. She credits this series for providing the roots to her thematic approach to history.

Music Was It

Music Was It: Young Leonard Bernstein
by Susan Goldman Rubin
178 pages
Charlesbridge

Publisher's description:

“Life without music is unthinkable.”—Leonard Bernstein, Findings

When Lenny was two years old, his mother found that the only way to soothe her crying son was to turn on the Victrola. When his aunt passed on her piano to Lenny’s parents, the boy demanded lessons. When Lenny went to school, he had the most fun during “singing hours.”
But Lenny’s love of music was met with opposition from the start. Lenny’s father, a successful businessman, wanted Lenny to follow in his footsteps. Additionally, the classical music world of the 1930s and 1940s was dominated by Europeans—no American Jewish kid had a serious chance to make a name for himself in this field.
Beginning with Lenny’s childhood in Boston and ending with his triumphant conducting debut at Carnegie Hall with the New York Philharmonic when he was just twenty-five, Music Was IT draws readers into the energetic, passionate, challenging, music-filled life of young Leonard Bernstein.
Archival photographs, mostly from the Leonard Bernstein Collection at the Library of Congress, illustrate this fascinating biography, which also includes a foreword by Bernstein’s daughter Jamie. Extensive back matter includes biographies of important people in Bernstein’s life, as well as a discography of his music.

My comments:

This is a quick and easy read. There are many nice pictures, but my favorites are the pages of doodles (p. 65 and 66) from Bernstein's college notebooks. Handwritten tests and compositions, and autographed photos from musicians he admired are also illuminating.

The design is clean and simple. The cover and end papers are dark blue, and everything inside is black and white. Images are nice and large, and white space is used sparingly but effectively. The only flourish is a musical staff marking the beginning of each chapter, and chapter titles done in a faux-handwriting font.

In addition to conducting research through books, and exhibits at Harvard and the Library of Congress; the author interviewed two of Bernstein's children in person, and his brother and a lifelong friend via telephone. Bernstein's daughter, Jamie, wrote the foreward.

I would have liked it if Rubin had delved into Bernstein's impact, discussing some of his major contributions like West Side Story, On the Town and Candide, in an introduction or the first chapter instead of leaving them to the epilogue. Some interesting aspects of his personal life, like his bisexuality and the fact that he smoked (despite having asthma) are also crammed into the epilogue, as afterthoughts.

End materials include a discography, timeline, biographies of friends and mentors, a bibliography, quotation sources and an index. These are all substantive. The discography includes a couple of DVDs in addition to audio recordings; actually watching Bernstein conduct would be a treat as he used his hands rather than a baton and was noted for his energetic style. I imagine is style may have influenced young conductors like Gustavo Dudamel, however this also isn't discussed in the book.

YALSA 2012 Nonfiction Award Shortlist

YALSA announced the five finalists for the 2012 Award for Excellence in Nonfiction for Young Adults today:

Sugar Changed the World: A Story of Magic, Spice, Slavery, Freedom and Science by Marc Aronson and Marina Budhos

Bootleg: Murder, Moonshine, and the Lawless Years of Prohibition by Karen Blumenthal

Wheels of Change: How Women Rode the Bicycle to Freedom (With a Few Flat Tires Along the Way) by Sue Macy

Music Was It: Young Leonard Bernstein by Susan Goldman Rubin

The Notorious Benedict Arnold: A True Story of Adventure, Heroism, & Treachery by Steve Sheinkin

I've been derelict in my reading and commenting (too much time spent on NaNoWriMo) but promise to try to try to get to Music Was It and Wheels of Change this month.

Of the three on the list that I have read, Bootleg and The Notorious Benedict Arnold were two of my favorites for the whole year.

Flesh & Blood So Cheap

Flesh & Blood So Cheap: The Triangle Fire and Its Legacy
by Albert Marrin
182 pages
published by Alfred A. Knopf

Publisher's description:

On March 25, 1911, the Triangle Shirtwaist Factory in New York City burst into flames. The factory was crowded. The doors were locked to ensure workers stay inside. One hundred forty-six people—mostly women—perished; it was one of the most lethal workplace fires in American history until September 11, 2001.

But the story of the fire is not the story of one accidental moment in time. It is a story of immigration and hard work to make it in a new country, as Italians and Jews and others traveled to America to find a better life. It is the story of poor working conditions and greedy bosses, as garment workers discovered the endless sacrifices required to make ends meet. It is the story of unimaginable, but avoidable, disaster. And it the story of the unquenchable pride and activism of fearless immigrants and women who stood up to business, got America on their side, and finally changed working conditions for our entire nation, initiating radical new laws we take for granted today.


My comments:

While this book does cover the Triangle Shirtwaist Fire, that many pages are actually devoted to the fire itself. Instead, much of the focus rests on immigration and workers rights; two larger issues that have a great deal to do with the fire. Most of the workers who died in the fire were immigrant women, and unsafe working conditions are responsible for their deaths.

The legacy of the fire was a greater awareness of worker safety. Frances Perkins, a champion for workers' rights, was spurred into action by the fire. h eventually served as Secretary of the Department of Labor for FDR.

I have mixed feelings about the design. The size, shape, and heft of the book is somewhere between picture and coffee table book. The bright gold cover is attention grabbing, but the safety-orange end papers inside hurt my eyes. The text is large and is arranged in two columns per page with a lot of white space on the side. There are many great images included in the book, including several from Jacob Riis' groundbreaking 1890 work How the Other Half Lives.

Prominent figures like Perkins and Riis get extra coverage.

Back end materials include a bibliography, source notes, picture credits, and index. The notes are numbered in the text and organized by chapter at end. The clear organization, generous text size and spacing make them easy to use. The picture credits, on the other hand, are cramped into a small block. There's also no information about photographers.

The Many Faces of George Washington

The Many Faces of George Washington: Remaking a Presidential Icon
by Carla Killough McClafferty
120 pages
Carolrhoda Books

Publisher's description:

"No picture accurately resembled him in the minute traits of his person . . . there was an expression of his face that no painter had succeeded in taking." --London's New Monthly Magazine (1790). George Washington's face has been painted, printed, and engraved more than a billion times since his birth in 1732. And yet even in his lifetime, no picture seemed to capture the likeness of the man who is now the most iconic of all our presidents. Worse still, people today often see this founding father as the "old and grumpy" Washington on the dollar bill. In 2005 a team of historians, scientists, and artisans at Mount Vernon set out to change the image of our first president. They studied paintings and sculptures, pored over Washington's letters to his tailors and noted other people's comments about his appearance, even closely examined the many sets of dentures that had been created for Washington. Researchers tapped into skills as diverse as 18th-century leatherworking and cutting-edge computer programming to assemble truer likenesses. Their painstaking research and exacting processes helped create three full-body representations of Washington as he was at key moments in his life. And all along the way, the team gained new insight into a man who was anything but "old and grumpy." Join award-winning author Carla Killough McClafferty as she unveils the statues of the three Georges and rediscovers the man who became the face of a new nation.

My Comments:

McClafferty tells duel stories with her book: the fascinating modern process of creating lifelike figures of Washington, and Washington's own life story. The art and science of the modern "Bones-ish" storyline are what initially attracted me to the book.

The three new likenesses of Washington are all based off of the work done by Jean-Antoine Houdon. The French sculptor visited Washington in his home to create a plaster life mask. Washington posed for Houdon at age 53, so it took scientists and artists a lot of work to accurately depict him at ages 19, 45 and 57. Many color photographs of the creation process are included, along with captions that provide additional information about how it’s done. A great deal of care went into details like his hair, eyes and clothing. Washington was known for being an excellent horseman, so it's fitting that his horse, Blueskin, was also recreated to go along with his 45-year old figure.

McClafferty's rendition of Washington's life focuses on exciting incidents, such as young Washington's role in the French and Indian War and middle-aged Washington's role in the American revolution. Photographs of Mount Vernon and other important historical sites such as Fort Necessity are plentiful, and well-captioned. The history sections are well-written overall, but I found one erroneous date (on page 35) that muddles the story. In the middle of a section on Washington's time spent with General Braddock in 1755, the text suddenly claims that he fell ill on June 14, 1754.

The design of the book is very attractive. The trim size is very similar to Houghton Mifflin's "Scientists in the Field" series, and the look and feel of the pages is typical of National Geographic's work. Dark red text boxes and bars contrast nicely with off-white backgrounds. The text is divided into two columns, and the font that's used is not quite so big as to seem childish.

Back end materials include a note from the author, a very useful George Washington timeline, source notes, a bibliography, further reading and an index. The note thanks many of the people involved in the creation of the statues who shared their insights with McClafferty. To research the book, she spent time at Mount Vernon and the studio where Washington's likenesses are "freshened" each year. The source notes are not very useful because they are not individually numbered. Only page numbers are included, so that you have to guess at what portion of the text the note is referring to. The bibliography is extensive, and includes books, articles, primary sources, interviews, a couple of DVDs and even a master's thesis on Washington's dental history. The further reading section includes several websites.

A little text box on page 117 promotes complementary educational resources available through the publisher's website: www.lerneresource.com. What the text box doesn't tell you is that you must register with Lerner in order to access the downloadable materials. Fortunately, registration is free. The downloadables turned out to be nothing too exciting: a list of some additional websites, a journal assignment for anyone wishing to burden young readers with homework and a photo slideshow. Okay, the slideshow is pretty cool.